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Pruitt-Igoe Archives - Occasional Planet https://occasionalplanet.org/tag/pruitt-igoe/ Progressive Voices Speaking Out Wed, 06 May 2015 17:01:33 +0000 en-US hourly 1 211547205 Spanish Lake: Another lesson in failed urban planning https://occasionalplanet.org/2014/06/27/spanish-lake-another-lesson-in-failed-urban-planning/ https://occasionalplanet.org/2014/06/27/spanish-lake-another-lesson-in-failed-urban-planning/#respond Fri, 27 Jun 2014 12:00:51 +0000 http://www.occasionalplanet.org/?p=29106 “Spanish Lake” is a new documentary film that looks at the physical, economic and social decline of a suburban neighborhood just north of St.

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spanishlake2“Spanish Lake” is a new documentary film that looks at the physical, economic and social decline of a suburban neighborhood just north of St. Louis, Missouri. It’s told from the perspective of former “Lakers” at a neighborhood reunion, newer residents, and people who have stayed through it all, bucking the white-flight stampede of the 1980s and 1990s. It’s a sad story of the downward trend of a once-thriving neighborhood, as a result of a toxic stew of callous governmental and commercial practices, and racial mistrust and misunderstanding. It may sound like a local story, but change the names, dates, longitude and latitude, and you’ve probably got a scenario that fits many other areas in the U.S.

Spanish Lake, we learn, was first settled as a military outpost near the strategic confluence of the Missouri and Mississippi Rivers. In the 1800s, it was the jumping off point for many military expeditions, as well as the first overnight stop on Lewis and Clark’s journey to map the Louisiana Purchase.

Fast forward to the 1950s, when Spanish Lake’s pastoral environment, within reach of the amenities of urban St. Louis, became a haven for the post-World-War-Il housing boom and the young [white] families who fueled it. In the film, “Lakers” who grew up in the area reminisce about their idyllic childhoods in two-bedroom, one-bath bungalows, running free along lakeside and riverside paths, helping out on farms, and riding their bikes to the neighborhood pizza shop. [It could not possibly have been that idyllic, of course.]

Meanwhile, in the City of St. Louis, urban planners were putting up high-rise ghettos for poor [black] people, the most notorious of which was the Pruitt-Igoe project in North St. Louis. When, because of incredibly poor financial planning and awful social policies, Pruitt-Igoe turned into a nightmare of disrepair, despair and crime, the project was demolished. The buildings disappeared, but the poor [black] people didn’t, and something had to be done. And that’s when the trouble began for Spanish Lake.

What happened in Spanish Lake may partly have been the result of a well-meaning attempt to solve the problem of a shortage of affordable housing. In the 1980s, as federal Section 8 rent support became available, building low-income housing became an attractive [and lucrative, for developers] option. Spanish Lake, an area with large tracts of undeveloped land unprotected by municipal zoning laws, seemed a logical and politically convenient location. [Aware that low-income housing was on the horizon, nearby Black Jack quickly turned itself into an incorporated municipality and enacted zoning laws that pointedly prohibited multi-family housing.] Undoubtedly, most other St. Louis County municipalities–mostly white, more affluent, and possessing more political clout than Spanish Lake–were not welcoming to low-income housing, either.

So, St. Louis County green-lighted developers to begin creating large apartment complexes in Spanish Lake, and low-income, African-American families flocked to them. Unfortunately, the sudden concentration of large numbers of low-income families into a small area, an almost complete lack of social services, and geographical isolation combined to turn the apartment complexes into something resembling the next generation of the failed Pruitt-Igoe project.

At the same time, real estate companies and banks began “redlining” Spanish Lake, steering African-American buyers to the area, while not showing them comparable, available houses in other areas. Real estate companies also engaged in “blockbusting,” buying one home on a block, moving an African-American family in with no rent, and then knocking on neighbors doors to convince them that their neighborhood was “changing” and that they needed to sell as soon as possible.

By the 1980s, the crime rate in Spanish Lake was soaring, the local school district was overwhelmed with new students, property values were declining, and white flight was in high gear.

People interviewed in the documentary blame government for Spanish Lake’s downward slide. That’s understandable, given some of the tone deaf and cynical policies implemented by St.Louis County. But capitalistic incentives, greed, politics and racism played roles, too.

Philip Andrew Morton, who made the Spanish Lake documentary, is a former resident. About 10 years after moving to Los Angeles, he returned to Spanish Lake and visited his family’s former home, where he grew up. He was shocked to find it abandoned and in shabby disrepair. That’s when he decided to make his movie. His sadness about his lost neighborhood comes through in the documentary, and it’s reflected in the words of other former residents–sometimes punctuated with anger.

One omission in the documentary, in my opinion, is the lack of testimony from African-Americans who moved into the Spanish Lake area in the 1980s and 1990s. What was it like for them? Did the newly-built apartment complexes offer an opportunity? Did they feel the resentment of their white neighbors? What was it like for their kids at the previously majority-white schools? Did they also feel a decline in their new neighborhood, as the years went on? I wish this perspective had been part of the film.

I’ve lived in St.Louis County for more than 40 years, and although I know the name Spanish Lake and have visited the park in that area and the confluence of the Missouri and Mississippi, I did not know this story at all. It’s enlightening and disheartening. I think my ignorance is part of a kind of white blindness. And I wonder how many other stories like this one remain buried for the same reason.

 

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Pruitt-Igoe: Ghosts and survivors of a failed urban policy https://occasionalplanet.org/2011/05/14/pruitt-igoe-ghosts-and-survivors-of-a-failed-urban-policy/ https://occasionalplanet.org/2011/05/14/pruitt-igoe-ghosts-and-survivors-of-a-failed-urban-policy/#comments Sun, 15 May 2011 04:37:37 +0000 http://www.occasionalplanet.org/?p=9103 Watching “The Pruitt-Igoe Myth” in a packed theater this afternoon was much more than a movie-going experience: It was a history lesson, a fact-finding

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Watching “The Pruitt-Igoe Myth” in a packed theater this afternoon was much more than a movie-going experience: It was a history lesson, a fact-finding mission, a therapy session and a séance, all rolled-up into an 83-minute documentary and a 45-minute discussion with the producers.

The documentary, written by Chad Friedrichs and produced in St. Louis, chronicles the rise and literal fall of America’s poster-child for failed public-housing projects—the North-St. Louis. Pruitt-Igoe development, whose life span was from 1952 to 1975. The money shot seen ‘round the world is the dramatic implosion of the dilapidated 11-story buildings that, at their peak, housed 11,000 people.

But that iconic image is far from the whole story. And that’s what “The Pruitt-Igoe Myth” is about. Unfortunately, what many people see in the implosion film and still photos is a public-housing project gone terribly wrong—and, as a result, a reason to mistrust government and to justify their disdain for “welfare” programs and poor people.

What the film shows us is something very different. Using fascinating archival photos, news footage and home movies from the Pruitt-Igoe years—along with emotional interviews with people who lived there—the filmmakers give us a look at Pruitt-Igoe that has been hidden, forgotten or deliberately ignored for many years. And they explore the socio-economic trends and policy decisions that essentially doomed Pruitt-Igoe from the start.

Probably most surprising—for someone like me, who didn’t live there—was the nostalgia expressed by several on-screen interviewees. One wistfully remembers her first Christmas in Pruitt-Igoe, when everyone decorated their new apartments with holiday lights, and the pristine plazas between the buildings glistened with snow. There are other fond reminiscences, too, like the memory of moving from a North-St. Louis shack into a “Poor People’s Penthouse,” where your mother can, for the first time, have her own bed and a room with a door. And the spontaneous parties and sense of community and belonging created among families with few other local connections.

But this is far from a sugar-coated documentary. Well-known St. Louis journalist Sylvester Brown gives a candid account of his childhood in Pruitt-Igoe, where to survive, he learned to fight and to assume an air of toughness. Others remind us of the punitive, “no-man-in-the-house” policy of the time, under which husbands and fathers were barred from the homes of families receiving public assistance. They explain that, in exchange for receiving welfare checks, their families had to submit to the social engineering of and judgmental attitudes of bureaucrats, who would not allow them to have televisions or telephones—or even to paint their apartments any color other than white. One interviewee shares the pain he clearly still feels over the shooting death of his eight-year-old brother, just outside the door to their Pruitt-Igoe building.

We also see excerpts from 1960s and 1970s news reports about Pruitt-Igoe, which focused on the physical deterioration of the buildings and the crime inside and around them. The impression that has lingered, both in St. Louis and nationwide, is that somehow, it was the poverty and lack of education of the residents that ruined the great social experiment that was Pruitt-Igoe.

The documentary works hard to debunk that stereotype. In interviews with several social historians, we’re reminded of the larger context  that shaped the story arc of Pruitt-Igoe: The Federal Housing Act of 1949, which created incentives for large-scale public-housing developments, while also encouraging urban flight and systemic removal of African-Americans from certain neighborhoods; the conflict between economic gain for developers and trade unions versus the social ideal of helping impoverished people; the ultimately disastrous decision to provide federal funds to build the development, but to rely on residents’ rent for maintenance; and, of course, institutionalized racism.

It’s a complicated story that has, unfortunately, been reduced to that single, iconic image for most of America, and, as producer Brian Woodman said during a question-and-answer session following the screening, “It’s an amazing story that no one knows about…We need to reopen the dialogue.”

And they did. The Q and A session with the film’s producers and two of the former residents of Pruitt-Igoe featured in the documentary was a story unto itself.  In an audience of about 400 people at this showing [the last of only three in St. Louis, so far], between 35 and 50 were former Pruitt-Igoe residents. [They were asked to stand during the Q and A session.] One after another, they thanked the writers and producers for telling the Pruitt-Igoe story. They talked about the lives they led there—not lives of crime, but lives of going to school, working, adhering to family imposed curfews, and striving to do better for themselves and their families.

“We’re people. We had real families. We served on school boards and community councils,” said one former resident, who like others, proudly stated her address in the Pruitt-Igoe complex. “People on the outside looking in see a whole different picture.”

“Good things did come out of Pruitt-Igoe,” said another, noting that former residents regularly hold Pruitt-Igoe reunions. “Just because we came from the slums doesn’t mean that we don’t have a heart or want something better. I cherish Pruitt-Igoe as a part of my life.”

These statements added an emotional coda to the screening of this remarkable documentary. They remind us of the many ghosts of Pruitt-Igoe, the residual anger that is the legacy of segregation and punitive policies imposed on people in need, and the pride that seems to survive despite all of it.

“The Pruitt-Igoe Myth” deserves to be seen much more widely. As I learned from the spontaneous, post-screening testimony of residents who lived in and survived Pruitt-Igoe, at the very least, it’s an affirmation and vindication of their lives. But on a larger scale, “The Pruitt-Igoe Myth” is a cautionary tale for the 21st Century, when the myth of grand economic solutions for cities persists [and seems continually to fail], and when the war on poor people rages on.

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