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{"id":23398,"date":"2013-04-03T07:00:08","date_gmt":"2013-04-03T12:00:08","guid":{"rendered":"http:\/\/www.occasionalplanet.org\/?p=23398"},"modified":"2016-10-05T11:04:46","modified_gmt":"2016-10-05T16:04:46","slug":"emperor-when-you-call-a-movie-historical-it-helps-to-include-the-history-part","status":"publish","type":"post","link":"https:\/\/occasionalplanet.org\/2013\/04\/03\/emperor-when-you-call-a-movie-historical-it-helps-to-include-the-history-part\/","title":{"rendered":"Emperor: When you call a movie \u201chistorical,\u201d it helps to include the history part"},"content":{"rendered":"

Here\u2019s a lesson I should have learned by now: Beware of movies claiming to be \u201cbased on a true story.\u201d<\/p>\n

The trailer for “Emperor\u201d\u00a0hinted that it would reveal the inside story behind the peace deal reached between Japan and the U.S. after World War II. So, always seeking movies with more substance than special effects, I bought tickets. And, once again, I was disappointed by a movie claiming to be based on historical facts.<\/p>\n

It\u2019s an okay-looking movie, with lots of scenery and atmospherics\u2014but rather heavy on fake-looking, post-Atomic-Bomb devastation. There\u2019s a sentimental backstory about the central character\u2014General Bonner Fellers\u2014and his Japanese girlfriend Aya\u2014though it\u2019s not very well developed,\u00a0 the attraction seems rather unmotivated, and it’s probably all made up, anyway.<\/p>\n

But that\u2019s not my chief complaint. I was thinking that, with World War II fading from our collective memory, this would be a chance to find out some of the details of the complicated, culturally sensitive and geo-politically important peace deal hammered out between General Douglas McArthur and the defeated Japanese government. Silly me.<\/p>\n

Sure, it\u2019s an interesting twist that General Fellers, charged with deciding whether to prosecute Japan\u2019s Emperor Hirohito as a war criminal\u2014and whether to execute him if convicted\u2014purportedly has a special affinity for and understanding of Japanese culture, because he fell in love with a Japanese exchange student while at college. And, sure, that\u2019s a source of conflict in the story, as at least one of Fellers\u2019 more vindictive colleagues doubts his objectivity and calls him a \u201cJap lover.\u201d<\/p>\n

But so much time is spent on the glacially developing love story, the phony sets and the idyllic pre-War Japanese landscape, that we don\u2019t get much insight at all into the intricacies that surely were involved in negotiating with the tradition-steeped, ritual-bound, formalistic Japanese leaders. You don\u2019t get much insight into the way things must have worked, when the script calls for General Fellers to demand a meeting with a high-ranking Japanese official, and –poof!–then to simply have it happen.<\/p>\n

I know that I shouldn\u2019t expect a documentary. But the level of oversimplification in this treatment is very disappointing. A missed opportunity, to say the least.<\/p>\n

It\u2019s not as bad as some other \u201cbased on historical facts\u201d movies, such as Oliver Stone\u2019s \u201cJFK.\u201d \u201cEmperor\u2019s\u201d sin is that of having left out a lot of details; Oliver Stone has a penchant for creating new facts. (In \u201cJFK,\u201d if I remember correctly, Richard Nixon appears at the Dallas airport, creating a vague impression that Nixon was somehow mixed up in the assassination.)<\/p>\n

More recently, Steven Spielberg\u2019s Hollywood version of \u201cLincoln\u201d served up similar distortions, such as the scene in which black Union soldiers meet Lincoln at the battlefield and recite, verbatim, the Gettysburg address, which Lincoln had delivered only weeks before. It\u2019s a nice, sentimental touch, but not very believable. Nor is the presence of former slaves and even First Lady Mary Todd Lincoln in the Congressional gallery for the vote on the Emancipation Proclamation.<\/p>\n

The problem with these movie distortions and omissions is that they can be mistaken for the truth and become part of what is later known as historical fact. In an era when science and fact are mistrusted by many, that\u2019s a dangerous phenomenon, especially for younger audiences, who didn\u2019t live through the events and can\u2019t fact check them via life experience. For example, a few years ago, during a conversation with a very bright high-school student, I discovered that she believed, after having watched \u201cJFK,\u201d that Nixon was, in fact, part of the assassination plot. No doubt, Stone helped create confusion by mixing contemporaneous documentary footage with the storytelling. I\u2019ve heard Stone call his movie-making style \u201cimpressionistic.\u201d I call it scary.<\/p>\n

In the end, though, the things I\u2019m objecting to in \u201cEmperor\u201d did serve an educational purpose. Knowing that there had to be more to the story, I went home and looked up some facts on:<\/p>\n