(* Entities and characters alluded to here are entirely fictional, and are here imagined for entertainment purposes only. Any resemblance to actual events or persons alive or dead is entirely coincidental.) <\/em><\/p>\n In a flurry of activity, the US Taliban, once known as the Supreme Court of Our Lands, has announced another in of its nation-altering faith-based decisions. Rock and roll will no longer be tolerated.<\/p>\n Rock and roll has been on shaky ground ever since Colonel Parker signed Elvis back in the mid-1950\u2019s. For context, see Baz Luhrmann\u2019s ELVIS, currently in cinemas. Elvis shook his hips and the country went bananas.<\/p>\n Chuck Berry and Little Richard, back in the day, pushed those boundaries further. Would it be possible to be black and equal with Elvis, under the law, they posited?<\/p>\n The country\u2019s highest courts at the time didn\u2019t deem it the moment to weigh in on rock and roll, just yet. There was enough going on with the assassination of President Kennedy and the ever-opening chasm in our national schism called the Vietnam War.<\/p>\n Our courts\u2019 decisions then, or non-decisions in fact, meant that we had to bear with Elvis through a decline in his powers until he became a pastiche of what he once was. Over time, his bellbottoms grew wider, his sideburns broader, his metal-studded belts wider and his waist \u2013 well broader again. Under Elvis\u2019s reign, rock and roll took a tumble. And so the superstar Las Vegas show came to be.<\/p>\n On the other hand, Elvis\u2019s decline opened the door for the British Invasion of American popular music. The Beatles came in, the Rolling Stones came in, Gerry and the Pacemakers came in. (Is it Pacemakers<\/a> or Peacemakers<\/a> \u2013 YouTube is still divided.)<\/p>\n The Supreme Court of our Lands hadn\u2019t figured on that, truly.<\/p>\n Suddenly, unexpectedly, Detroit loomed large in popular music. We had the Supremes, the Four Tops, the Temptations, Smokey Robinson, Martha and the Vandellas<\/a>, Gladys Knight & The Pips and Marvin Gaye.<\/p>\n Our top courts eyed intervention with this large presence of Motown in our popular imagination. It was tricky there for a while until, with the arrival of Lionel Richie, the danger subsided.<\/p>\n Lionel Richie gave the Talibanists here at home time to regroup.<\/p>\n And so, for decades, popular music enthusiasts in the US thought they were home scot-free. Rock and roll morphed and splintered, and gave rise to an enormous myriad of forms, southern rock, country rock, disco, house, heavy metal, soft rock, independent, hiphop, rap, electronic \u2026 well, the whole shebang of popular music that has been our life since the boy from Tupelo’s first appearance on Ed Sullivan\u2019s influential TV music show way back when.<\/p>\n Turns out, in the past decades, we were lulled into thinking that rock and roll was our right.<\/p>\n